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DAN GOOREVITCH

POETRY

 

LONG POEMS:

Sheep Shearing 1999)
Open The Box (1996)

SHORTER POEMS:

1994
Bubbles And Butterflies
Fire Doll
Midas' Psalm
Parts


SHORT POEMS:

Art/For/Its/Own/End
Artichoke
Caterpillar Boy
Cinderella
Circumferent
De Dutzmen
For The Sake Of Argument
GREW A LITTLE branch from a tree
Icarus
On Contempt
Prodigal Son
Ramblin' Rose
The Intermittent Temple
The Library
Little Mommy
The World Is
Thou Little Spark
The New Spartoí

AFTERPSALMS

1
15
16
18
19
31
A Modern Psalm


"Sheep Shearing," "Afterpsalms #1, #18" and "Midas' Psalm" were published in Parchment Magazine

5































19841994

I
me
we
us
Ms

bi
PhD
gay
CIA
FBI
men
Her
She
HIV
s/he
blak
CSIS
nazi
AIDS
race
junta
queer
greed
dogma
class
canon
racist
fatist
wimmin
queens
gender
agenda
smoker
victim
fascist
lesbian
bulimic
context
studies
new-age
subtext
demonize
freudian
red meat
wellness
heteroxy
anorexic
paradigm
didactic
bisexual
feminist
herstory
same-sex
safe -sex
misogyny
workshop
polemics
patronize
safer-sex
pride day
date-rape
aggressor
he or she
semiotics
subverted
she or he
empowered
genocidal
caregiver
privilege
vegetarian
fruitarian
pro-active
inner-city
pro-choice
gay rights
sex worker
victimized
monolithic
white males
homeopathic
green space
self-esteem
objectified
materialist
gender bias
discredited
progressive
paternalist
transsexual
maternalist
hermeneutic
share-power
bureaucrats
the disabled
middle class
heterosexual
human rights
sociological
transvestite
video artist
racist group
marginalized
the gun lobby
the fur trade
deconstructed
handy-capable
gay & lesbian
spousal abuse
power sharing
the genocidal
illness model
vegetarianism
fruitarianism
animal rights
the gay games
gay pride day
gay pride week
gender- neutral
breast implant
the gender gap
post-modernist
race relations
proceduralized
bio-degradable
wellness model
the privileged
women's issues
sexual assault
animal testing
multinationals
age-appropriate
Judeo-Christian
animal products
the male agenda
socio/political
substance abuse
cultural worker
fundamentalists
the power elite
status of women
corporate greed
women's studies
new-age medicine
the revisionists
the inner cities
abortion clinics
power structures
dead white males
private property
the profit motive
same-sex benefits
employment equity
sexual harassment
deconstructionist
second-hand smoke
corporate America
sexual orientation
endangered species
the black majority
the white majority
the black minority
the white minority
holistic medicines
indoor air quality
affirmative action
spiritual identity
the new world order
human rights groups
non-western culture
conservation issues
the disenfranchised
mentally challenged
performance artists
renewable resources
the military regime
the tobacco industry
eurocentric thinking
high-risk activities
the corporate agenda
unsubstantiated fact
advocacy advertising
new-age philosophies
homeopathic medicine
has been discredited
wheel-chair athletes
animal rights groups
deeply coded message
conceptually invalid
politically incorrect
alternative sexuality
self-representational
autobiographical text
old- guard politicians
high-minded principle
refreshing scepticism
violence against women
gender differentiation
the cosmetics industry
heterosexual orthodoxy
animal experimentation
negotiating difference
iconically interesting
cultural appropriation
the difference disabled
gay & lesbian bookstore
gender-neutral language
women's study programme
the white establishment
substance abuse problem
the wilderness committee
age- appropriate behavior
reproductive technologies
institutional co-optation
the politics of inclusion
the politics of exclusion
Christian fundamentalists
water conservation issues
male spousal abuse studies
the crassest commercialism
gender-neutral terminology
human rights infringements
energy consumption & waste
green community designation
fresh fruits and vegetables
the ruling military leaders
the market-driven economies
military/industrial complex
cross-cultural fertilization
the post-colonial experience
buddies in bad times theatre
the violence of monocultures
shifting multiple identities
mutually-assured destruction
politically-correct language
environment education officer
department of women's studies
privileged institutional hand
French structuralist critique
trademark cosmetic indicators
present-day political concerns
free-standing abortion clinics
the marginalized nexus of power
reticent to negotiate difference
art-historical deconstructionist
post-modernist art & architecture
self-declared military government
the multinational corporate agenda
the multinational corporate empire
French post-Structuralist critique
CONSUMERS of MENTAL HEALTH PRODUCTS

(c) nineteen-ninety-four dan goorevitch


5












































The world is

in spite its
seeming size

just a mural

And its wall
the mind, is

its mountain

to scale. If
she said, we

have courage

Then come up
dear, ascend




a for musical version







5























































LITTLE MOMMY

"Do you have
a baby", she
asks me, "in
your belly?"

"No", I say,
"Do you?" An
answer given
as surely as

swiftly. "Is
it a girl or
a boy?" pose
I, to which:

"Her name is
Jane;--see?"
she says, as
she shows me

a wee crease
in her navel
"Can you see
Jane's bum?"



5




























OPEN THE BOX



See? it fits
in two parts



Hand and eye

Will, Vision


Patience and

your resolve





Wrapped cool

in black fur

in your hall

a first home





this warming

mother scent


you remember





Soft nipples


in a nightly





Dear desired


I have asked



patiently to


speak to you


but you have

not answered








Goddess then


5

A frost just

asked when a

lady walking



warm wrapped
in black fur

passed again
by this wall


arresting an
overfull man


rounding the
corner by an
archway over
a flower bed

where a path

laid by some
gardener who

was tendered
as he tended

to passion's
moving thing


Proving thin
can grow fat

where joy in
labour joins


method to an
intent as it
leads to the
order sought

conscious or
not. Does it
much matter?

Egg or bird?

The thing or
the thought?




Home is what
we whispered

as we lay by
warm hearths

where gentle
speaking was

the order of
the air with
which breath
passed forth

returning to
our enriched
hearts where

our loss was


5

gladly, that

one unwanted
thing itself
we'd yearned
to be rid of



Overfull man

rounding the
corner by an
archway over
a flower bed

arrested one
warm wrapped
lady walking

and wondered

who arrested
whom? Flower
strewn petal
arrangements

lay on black
narrow berms
of earth. In

the electric
lighted lawn

grass strips

and loam was

in them both

one filigree
fine pattern

which petals
concurringly
did complete


Imagination?

Projection's
perceptions?

Structure of
reality? and

what then? a

solution? an
answer? plan

of assembly?




Instructions


Reading them


What a chore




A walk close
to this wall

could change
our thinking


5


Near a white
plaster wall

full-charged
with current

an entranced
trunk stands

balancing on
one foot. On

the hairs of
the arms and

throughout a
whole inward
frame I feel

gripped by a
gods buzzing

bristling of
pure force--

Are we ready

for jolting?




Come on then

bring 'em on

those little
extra 
pieces

pierce amour

full-armored

rattling all
organs which

you threw in
furtively of
an afternoon

but searched
to construct

in day again

after nights

vain, hoping

that when at
midnight, at

5

its stroking

these pieces

extra pieces

may assemble
themselves a
fit model--a
flying thing



For all toys

and even joy

seems in our
mortal realm
to just rust

dust, as did
flying's son

when the boy
fell aground

while called
forth from a
dream to fly

an action to
which intent

grave itself

must lead us
to a testing
toying model

Sighing sign

singing by a
soaring wing





The open box

5

hollowed out
to fit these
photographic

images, long
cherished in
lonely dusks

where violin
music called
from strings

recalled the
deep springs

from which a
memory draws

this antique
plastic wing
back to hand



Vision, will
and patience



Your resolve
to fashion a

remembrance:

an aeroplane









Part Two 4

5







































Open the box

one birthday
and you will
find there a
swirling ice
cream freeze

beautiful an
image beheld
as it begins
to melt into
an icy glaze



Last night's
kiss, caress

at cock crow
flew, though
every pore's
mouth sang a
song its ear

perfect knew


It seems sad
perhaps it's
natural that

our rise and
shine to the
world's work

should spell
an exit from
Eden's realm

where a wall

broken piece
by piece was

dissolved in
our electric
charge as it
wrought that

flesh change
exchange and

which ending

was replaced
by a need to
open the box

in the world

5

and organize
these pieces

12 character
per verse--a
little flute

trembling in
the throat a

Chord played
from a bough

bowed from a
bellied bole
aimed upshot
to His cloud

from where a
golden misty
rain fell up

from a heart

The leaf let
fall up from
a mouth. Old
newspaper on
the pavement

twisting and

a paper bird

winding rose



Up! Up! came
calling when
man was then
youth and an
airplane sky
bloomed blue
and rose new
within him a
sighing song
you remember



See? it fits

Youth in age
Age in youth

Lovers lying
loving truth

Man with God
Songs within

Seed in womb
we all begin

Babe in arms
Arms embrace

All one Soul
face to face




Goddess then

who taught a
bough-broken
baby's swing
support when
cut could be
an ell stick

Hollowed out

the template
being you- -a
little flute

Also the apt
divining rod
be fashioned

attracting a
water-wooden
source to it



One daughter
then you are

as childless

the pregnant
messenger to
deliver seed

To childless
men you tell
such arts as
men may need

to till them

all men as a
crop to soar
into blood's
fertile core

so that in a
drear moment

a word would
chime as the
phrase least
remembered--

Note next to
one unheeded

The one lost


5


Goodbye then

Simple words
remembered--

Goodbye kiss

The deed our
intention to
return to us

from I and I

The pleasure

as you liked
to say--that

anticipation

of cherished
moments I am
slow to know

as your mind
all mornings

a hot coffee
cup unbrewed


You are best

latest, long
day followed
in whistling
conversation

as I've seen
you there at
fence picket
by bird cage

a sound come
from between
your teeth--

chirping, in
a sweet tone

You stood up

rose tip toe

to sew songs
to the wings
of songbirds


What then is
our rankling
reticence--a
wrangling in
defense that
marries with
an ill habit
of regret, O
solitude out
of which the
soul seeks a
door--desire
the thin key
to unlock it

Desperate of
acts! You're
spore; blown
alone a leaf
in the drift
where vacuum
sucks, hurls
spiraling--a
spar-stem in
gusts toward
an avoidance



A bitterness

The taste an
unlikely one
to better us

marring what
beauty, sent
to us from a
red hot Mars

and O, Venus

a warming of
breath's lip
slid-slipped
breast's tip
across chest

glided crush
dust, O dust
without love



The gas tank
an affection
machine near
empty desert
sands scrape
a bared soul


5


Two hands at
a waist belt
buckle flash
trapped dark
excitement a
disgust with
horror mixed
and pleasure


So she stood
next morning
at the glass

an old dress
hanging from
a rusty wire

The holes of
her bathrobe
a spider web

masking such
odd exulting
secret power



Betrayed, he
you betrayed

trusting not
this passion
fleeing from
fleet Apollo

following at
flight speed

clumsily, in
song's ardor

And your ear
a split limb

concealed in
a dark arbor



Praying thus
for a kindly
father's aid

a frightened
quaking form
clung rooted

forever cast
as the waxen
green laurel






Here our way
forks from a
forest floor



Whitest this

a lily grows
under acorns



Needles fall
from spruces


Cone at pine

tip branched

here topples



Seeks a soil



Sends a root

shoot to sky



branching in
one filigree

air and tree



Scantling in
half-light--

border light

separateness


5



Sweetness us

the lips are
still tingle

tart and the

fingertip to
fingertip to
squeeze; the
ten fingered

temple built

of two hands


Up above the
wood rafters

The two beer
on the table



Tingling lip

still ghosts



With them we

will play to


5








































UP AND down
grey boughs

caterpillar

boy zigzags
up sidewalk

parkin' lot

is, already
in his mind

a butterfly



5








































CIRCUMFERENT

A finger pad
pressed soft
encompassing
a sand grain

Swell of the
belly and an
earth curves
away from an

arm's hollow
a shoulder's
bump. Hid by
grass blades

a valley. To
the river in
sparkle, dew
the new moon

O, the stars
the lips the
sun shine on
fertile land

Circumferent
line, in dot
and dash our
circled life



5







































ICA RUS

THE BUT
AIR THE
WAS SEA
HIS WAS
JOY LOW
AND HOT
THE WAX
MAP WAS
FOR HIS
THE WOE
BOY AND
AND HIS
HOT SIN
SUN WAS
WAS HIS
HIS OWN
AIM WAY


5
































































PRODIGAL SON


I, returning


from flights

and railroad
compartments


dark tunnels

drawn blinds

making music


from nothing


--iron wheel

screaming on
a steel rail





A cloud flew


and profound
figures grew


from nothing




Returning, I


high above a
worsted coat


Green tinted
tar-pit of a
Black Forest


smoke-plumed


as if a huge
building had
been brought
to its knees




Light--these
small points


Down below's
the Tel-Aviv


hill of life


Crash, crash
by all means
Dead, alive:









I've arrived

5









































MIDAS' PSALM

The tower of
counted coin

the wheat of
my granaries

A paved road
for the cart

and the oxen
provided for

My men fitly
fed, attired

civil-minded
and mannered





Olive groves
in abundance

the orchards
fig and plum

Meat, fleece
of the lambs

Hecatombs of
fatted boars

A black bull
for the gods

Pyres raised
to the ether





Lush forests
yield timber

my shipyards
all business

Dawn to dusk
my potteries

the painters
well-trained

Black beasts
wrestle with

Heracles, in
red outlines





And my ships
bearing gold

to pay hands
--all skills

The guilds a
philanthropy

by every man
who advances

the pregnant
contour, hue

the craft of
his ancestor





And I savour
rich texture

of both clay
and tapestry

Spice of the
foreign land

Cinnabar for
a full table

Exotic cloth
for the wife

Peace--in an
orderly life





And my slave
is well-paid

his work not
too exacting

mind or body
not punished

if compliant
with the law

In every way
I am liberal

and civility
is my temper





And twilight
brings larks

to my garden
and vineyard

My forsythia
fresh yellow

Lilacs bloom
by the roses

Clematis and
ivy climb up

green crotch
of the trees





My starlings
flit & flirt

coquettes to
my eye, sore

bent over my
many ledgers

Line by line
the dull ink

this concern
and that one

Deluge after
drought, yet





My daughters
in fine wool

my sons hale
and handsome

The children
of my babies

the clenched
little fists

red-faced in
ornate tears

laughing are
pure delight





These are my
soil, my air

root, branch
shoot, bloom

quick growth
of my summer

wool blanket
to my winter

The arteries
of my health

and the pump
of my wealth





These hew my
soul's shape

No ink shows
it in tables

yet an order
built up and

in every way
sustained by

the tower of
counted coin

the wheat of
my granaries





Float, float
up to heaven

Midas's pure
sprung psalm

Holy Olympus
on its mount

down-clouded
azure, white

but its gods
heard "gold"

and "me" and
nothing else



5


































5

ART
FOR
ITS
OWN
END
WON
THE
DAY
AND
JOY
NOT
WOE
WAS
ITS
AIM

5


































FIRE DOLL

Hate laws
hide what
lazy dumb
talk does

Bury Jews
Andy bury

most deep

slow mind

Bomb drop
doll city
same diff

talk show
Andy says

Only look

Bomb sent
will kill
what ever
some hate

stop bomb
come over
that very
same pond

That made
life cost
most mean

that side

this side

Only just
hear this

Jews were
same side

fond rest
note from
fair song

With mark
mark well
with mark

note sent
from song

soul from
body took

bone took
from skin

bone bust
into dust

Call them
 doll then

bury them

Call them
then doll

only doll

Your word
from this
care bear
side your
fake face

dumb care
your left
wing mask

will make
your debt
list long

Your sons
push next
sons hard

make good
that bill

Same Nazi
work plan

Till gold
fill from
dead open
food hole

make that
then your
glad days
debt paid

Call that
your song

sick bird

Coil into
your soil

your soul
made dirt


5


































1


Lucky man who shuns the brazen
Counsel of spineless cynics
Takes delight in light, the law
That rules by day and night,
Breathing an endless meditation:
A tree that drinks a river,
Pushing out its fruit in season:
Unwithering green: a branching body
Of leaves that richly shelters.

Chaff may scoff as well as fly—
I'm wise to their worldly wisdom—
A web wove tight with gaping holes:
The schizoid spider's information
Wrapped about a hollow nothing:
A secret they shout to the deaf.

Deaf themselves, their congregation
Nods agreement, sleep, death.

5





































15


Experience alone his mother,
Who in rain though sheltered,
Beholds a sun-drenched vista.

His certain song's unaltered
By plots and twisted chatter,
Of those who huddle in baths:

Soggy newsprint paper dolls
Changing with changeless headlines.
His tune isn't made to fit but measure:

Silent about what he doesn't know,
Singing aloud what he understands
He recognizes his brother's walk—

Signal fire from distant mountain, says:
"Pay me when you can," meaning
Not to break the natural pride.

Silent his contempt for the nihilist,
Ringing his praise for the constant,
He gives his neighbour his petty reproach

And takes the full-blown victory
Of being unmoved, his eye directed
Before his feet by heart commanded

And until then, no inch, nor muscle
Twitches
Till he strides.


5


































16

My dwelling has a simple charm—
Exotic delights are rented grief.
I'd rather drink sand than cut my tongue
On fashionable designer-cups,
On bloody made-up mannequins!

The size of my lot doesn't matter—
I've said it before; I'll say it again:
Within the world of the shuttered pearl
Is a grain of sand that grows,
Every layer embracing the whole.

Every line has fallen in its place—
I have been left perfection;
The heart that beats within the heart
Counsels, instructs as it opens
Before me a constant way.

The right is my right and   all  my rights—
A wall that keeps me unmoved and moving;
For this and of this I sing rejoicing:
My lot is perfect peace;
Neither can I fall nor stumble.

Singing a mountain switchback,
The staffs of my songsheet
Are piton and rope:—song
Of the blind who sees inwardly ,
Tottering on the roof of bliss.


5


































18

I love the hammer-stone poised above
The broken rock on which I stand: the cleaving stone
That releases a brightness; the breath that catches:
The rock on which I stand sustained.

Strength in the crystal, the black and white speckle,
Strength in the concrete where I crouch and strain,
Strength in the back, to cleave the stone,
Strength in the stone, by which to cleave.

Broken as I was in superfluous pieces,
The broken though brightened voice that sings
Found the critical ear whose tuning
Fork shook Earth til it reeled and split,

Spit white flame and ash from the depths,
Billowing smoke above, below,
Black so black it touched the brain-pan,
Touched as a light on the skin of the iris.

Flame, intense, roared in the gist of it,
Thunder claps that splintered lightning
To blood red coals and fiery stone
Arrows cut the cords that bound me.

And I saw to the worn-down channels of the sea,
The foundation- stones of the world as I flew,
Wrapped in the song, the stone: that ear
That hears and delights in song:

Loyal to the loyal, blameless to the blameless,
Pure to the pure, perverse to the crooked:
The light of my lamp, the steel in my sword,
The shield on my arm, the song in my mouth:

The rock, the bedrock itself of my self,
The rock that spreads beyond my stride;
The rock in my arm to bend iron bows,
The rock in my feet that turned them to wings

To soar the scope of all space to set me
High on the broad-rimmed ledge, eclipsing
The dust and scum beneath me, the mire
And filth in the drains who hate me

The brains that bait me, who think in committee,
Calling for help with a sanitized prayer, to a god
When useful, a devil when not. Failing that,
A tyrant, eunuch, mob.

I ground them fine like coffee beans
And poured the scalding water; drip
By precious drip they dissolved.
(I have a plastic Rubbermaid for mud.)

Once I sat beneath them and cringed;
They turned me away and the world
Kept turning. Now the rock is revolved,
My resolve, and now they come,

Tin cups for tinkles.
The rock lives; its many layers
Protecting the single seed that grows
Outward: an onion: a hand that delivered

A crop of seed set deep in the loam,
A crop of stars, thrown in the void
Grown so close and tightly together
(The reed-thin stalks swaying together)

My seeds of dust! broken into bloom!
Tight as the speckled rock, broken:
The breath, the voice, caught, released
Again and again in the heart of the stone.



5


































19

White puffs and blue above
and below me
a tight-worsted forest
of wool, the colour
is asphalt, reflecting
green tinge. Night
and the lights
below me. A filigree
of song: squeaks
of the wheels as they
touch down. In bed
comes rest. Within rest
comes the sun, the son,
the young lover to his bride
with calves of iron joy.

What is perfectly sure
revives as it simplifies.
In this wise what is right and pure
rejoices and clarifies
all that it commands.

What is clean and true
is what cuts what's wanted
from that which is possible;
a man's days are numbered,
his body, mortal: fear
closes the circle,
fits the ring,
enduring and profound,
leads to the honeycomb,
the song that's spun
in threads of gold.

I might warn myself
not to make presumptions here.
I should be aware
that the stair I climb goes up
and down. I cling, I fear, too much
and tear the flowing gown, expect
too much that it warn me.


5


































31

I a single lump of clay
Thrown on the wheel
Am broken now

And the doctor of philosophy
With nippled hat and dusty shirt
Digs the broken buried shard

Senseless to all but he and his kin
Who know the language of broken things
That whisper impatient reunions

And those who broke me
Who whispered about me
Lie still their cacophony

Unchanged with the ages:
Empty vessels where voices bounced
And ricocheted.

From a fortress unnamed but never unmanned,
Through a living wall of stone,
My voice passed and was heard;

Shut within walls
Where voices strive and clash
I heard a simple music

That set my toe to spring and fall
In tender steps on vast
And even floors

Where sun shone
And warmed the urn,
Exciting the air within

To a gentle stirring
Effortless song,
At one with breath at last.


5


































A MODERN PSALM

Here he comes—
old piston-legs—
Thighs and calves
bruised by bloody pulp.

Grape, gripe, bitter seed
sink in carnal red—look!
Footprints rise from the polished lake
where all our names are written!

Shrinking ruby footprint-puddles
Yet from each a thousand spring,
Shouting in quickening cadences,
Wailing and rejoicing at once!

They climb to where the air is thin
but blood is thickest—
They have no need of meat but drink
tens of thousands to a single beat,

Churning in the muffled thicket—
A distant thudding etching fine
lines of blood in slate.


5


































The Library

She kneels
And the black pleats float.

She sits—
My heart a sinking boat.

She stands
And stretches—oh—the flirt!

Walks on
—tugging at the corner of her skirt!



5
































Artichoke

Artichoke, artichoke:
Let me pluck your leaves!

The tenderest flesh
at the tip of each!

Ah—the fur—and here beneath
What pleasures lie in store!

In the artichoke—
Her secret core!


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GREW A little branch from a tree
you was there and so was me

you me and the tree maked three
then comed our tiny bay-be


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Bubbles and Butterflies

You caress the bubble but it doesn't burst.
You squeeze it. It cannot burst. So you eat it

And as it passes out there's a world in there

Not some New York skyline with snowflakes
But a man, yourself, as you should have been.

He is taller than you, stronger than you,
He is warmer, more generous, more kind

He has a keener intellect, a finer humour
He laughs at himself and accepts his foibles.

He is the you you should've been but aren't

So you flush him. But he finds his way out
Of the pipes and into the river where he bubbles up

With millions of other bubbles he heads for the falls.

He falls and stays intact. He wanders up and down
And through all the earth, this homunculus who will outlast you,

Capable of every thing but one:
He cannot free himself from the bubble.

You stand in your living room and a butterfly
Puts his wings between your fingertips

And your feet leave the ground.
At first you laugh but, as your head passes through the ceiling

And you wonder if you're air or plaster, awake or asleep
You fear to let go but you're curious to go on.

You rise up above the clouds, above the stars even
To the untouched waters over heaven

And you find yourself in a pink spiral,
A tunnel. How strange. Above the space, you thought

There would be more and more space, ever more freedom
But it's a tunnel, and it's narrowing.

The tunnel gets dark and you're afraid to let go
So many miles from home and then you smell the stink.

The stench is appalling but you think it will pass.
It gets worse. You can't let go now. You can only hope

Things will get better. But it gets worse. And it gets hot.

Surely it can't last and if I let go I'll die here
In this heat and this stink, alone. At least I have

Someone with me, the butterfly. But who is this butterfly?
It put its wing between my fingers. It wanted  to take me here!

But I have nothing else and fear to die alone.

So you hold on. The heat gets more intense. It is searing
And then it gets twice as hot. You can't breathe.

Now it's so hot it's beyond heat. You feel ice cold.
The butterfly is letting you down into a burning lake.

The lake is silver, like mercury. Like a volcano
It bubbles. Perfectly round solid bubbles and you see

Either reflected on the outside or inside it (you cannot tell)
A man resting peacefully, each under his own fig tree.

He drops you.

You feel your feet hit something solid, your knees buckle
And instinct makes you reach with both hands to break the fall.

You let go of the butterfly. You are on your feet, crouching, in the centre of
Your living room. You know, for the first time

The fear and love of God.



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Cinderella
To Grazina

5 

a  for musical version










































THE PARTS

Once upon a time, when the river Warta
ran through the town of Częstochowa
a woman stood on the tips of her toes
alone in a vast room
meticulously arranging her medical supplies.

There are things one remembers from childhood—
a picture of a Scotch Terrier (on a writing pad),
a yellow-haired girl sweeping a hearth (in a book),
or (a photograph): a toddler (me) pulling a violin out of a tin can—
more real than what we say actually happened

and so it was that, reaching above the dialysis machine,
silence was her accompanist, and she, rising and falling
between moon and undertow, turning in her banks,
over rocks, measure after measure—

Listen you—
You in the powder blue—
Cinderella, laughing,
bringing the waters of the Warta
here intact from Częstochowa,
Dei gratia nova!


5







































De Dutzmen

In the blind poet's closet,
turning "de Bodum"
round in the mouth.

Café tables, lightly waxed
pine edges; the upright nipple
of the maiden-mother.

"Many hands buffed the stone"
spoke ivory, the tongue's lustra
—the gold -walled city.

"Hollandt Mars and its canals":
Loam, asphalt- black, de bodum:
Dutz cricket-pitz.

On de beetz, an escarpment:
An inch and a half of sand,
wave- curled, polissed

pearl, silver
sweeps
de pidzen-tails on de Kobblstonss.

And Spartan Marinas mused,
restoring, almost,
a sort of

Norsemanly sense of normalcy:—
"The first smoke of the day's the toughest—
But you've got to get through it!"


5







































For The Sake Of Argument

For the sake of argument let's say you have no identity.
For the sake of argument let's say you're an image
you make and remake, a lump of clay, thrown on a wheel,
hollowed out as it rises until its walls, too brittle,
crumble, or if not, sustain an astounding grace
but disappoint after the glazing, or if not, enthrall,
delight and excite until you drop it in your reverie.

Let's say, for the sake of argument, that you are a masterpiece
sitting in the British Museum until, like Sumer, like Egypt,
your museums are destroyed and you,
like all the masterpieces that surround you,
are desecrated by barbarian hordes who, living in poverty,
watching your television shows, their envy and malice
feeding their power and violence, put an end to you.

Let's say, for the sake of argument
you are an insect caught in amber
and it is only the wind that seems
to make your dry limbs shudder.


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On Contempt

The you she thinks you are
The she you think she is

Is not the you you think you are
Is not the she she thinks she is

So she's the world    to you
And you're the world    to her

And you can't afford to throw the world away

For the you you think you are
The she she thinks she is

Without the world is just a dream.

And it's sad I know for you, but for her, a tragedy—
She's thrown the world and who she is away!



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Ramblin' Rose


Though
Ramblin' Rose
played twice

as dust
behind car
and sun

and sand's ribs
under lake
and bubbles rose

dragging up
my father's hair
a whitened body, it

seems
now that
all

the way
to the beach
that day

the rhapsody was
so
that

even now
it
goes:

How I love you
(so it goes
How I want you

heaven knows—
Who can cling to
a ramblin' rose?


a for musical version



5































































SHEEP SHEARING


And there was a man in Maon... shearing his sheep in Carmel....
the name of the man was Nabal; ...his wife [,] Abigail;....
And David heard...[and] sent out ten young men,...
                ;                               & nbsp;              &n bsp;              &nb sp;    1 Samuel 5:1-5




NABAL


Who is  David? Who is the son of Jesse?
                ;                     1 Samuel 25:10

Naked they skit as the shears quit their clack.
Heads tack, haunches bound, seeking open turf.
Quake, shake, wash their faces in wind.
Kick, jump, come ground.
Strip by strip, fleeces mount.

Women card—discard the skimpy strands,
Draw the long to loom (short to soften straw)—
And cook: we wolves get our lamb. Wine
to wash down the dust, the fleece, the grease. Just then,
ten come on, dripping respect.

Their master, they call him, begs mutton.

Mutton I have. Master none.
He has no master—no mutton but messengers
(Messengers mean, and like,
whether fed or unfed, to grow muttonous)

I like 'em lean—keep what they can
  eat what they shear
    shear what they keep
        keep what I let
    (mutton on mutton's monotonous.)

Though ravenous, they bear unbloodied paws,
profess friendship and... protection. "Peace
"be with you," they say and: Peace attend you," and
"May peace follow peace into peace and

"May we please have a piece of your piece please?"

I set my goblet down.
My shearers' faces rose—
a touch of mauve
from the sandstone—crimson bits
from accidental nicks

(Wooly black hair with straight white teeth)

"Protection?" I ask, turning back to the ten,
"From what?" "From who?"

"Well... from—from bears, from... lions, from"

"My shepherds?"

When faces flush, men start to sink, but
pink back to white it's a hell of a stink!
Laughter, like water, it tempers the tip.

Eyes open shut,
   the last thing that happens is
          What happens?—I wake, head heavy, a stone chest. Her eyes
               open and narrow in turns,
                ;glint as they tug invisible strings
     tied to the corners of her half open mouth, which jerk
  their confessions in concert.

I grow wool on my chest; on my back
          straw
pricks the ball.  Homespun:
    Home.   Unspun.

          A long yarn's a short tale! (unwoven)

A shawl, lighter than fleece, floats to my face—I can't breathe—it smells of








Abigail



 

5

The parts of a busted doll
strewn on a table
no longer strain to integrate the greater self.

The makers who passionately made her parts
no longer feel the urge to dash her brains
against the nearest wall but, with shaking hands

Ascend with the patient corpse
through skylight to midnight's electric storm, chanting:
"Hamelech! Imam! Shanti! Sweet Jesus!"


                ;  •


There is a picture of poor mad Ivan
holding his broken son, the eyes
bulging, searching, vacant...


                ;  •


Gilt frames the edges of the family photograph.
Wake up at seven—the alarm clock will help you
to glue the shattered shards to make a cup
of coffee

Dash out the house
the little plastic pieces
trailing in your train.

Some get trapped in the door and
weeping like a lost child
roam the house alone to find

a tiny purple flower on the nervosa,
showers of wicker; a solid orange column
breaking between blue windows.

A latch, painted in place,
amazingly works
like a real object,

the doorknob an image
is solidly felt
and really turns

The image is dim.
An old man.
Walking in a daze.

ABIGAIL


...now let thine enemies, and they that seek evil to my lord be as Nabal.
                ;                1 Samuel 25: 26


My husband owned all this
three thousand head of sheep, a thousand goats

All that 'til he showed up,
wanting to be fed—him and his men.

Protected them, my servant said,
while they remained 'conversant'
whatever that means

Well, my husband—the name means "oaf," not "stupid."
Did his shepherds go hungry?

"Every budding blade a renegade!" he muttered,
"Every master his whetstone!"

But these were no lamblings.
Five hundred. At least. Unarmed.
For the present.

So I saddled, sent fare and followed.

In good time. They were striding.
But he that strode in front—I

caught something in his face— it
burned like a wisp too close to the sun. Decisive—
that impressed me—the quickness of his change of mood,
the sharpness of his perception.

I approached as one befitting my station.
He lifted me.

How wrong it is to shed blood he said and I
       had spared him the deed—I
         was clever, he said
       as his lower eye scanned my lower lids
         where wetness was the stone
     he honed his lids upon which rose
and in the upper chamber saw

my husband stagger, fall,
ask as I rose, floating
my eyes gleaming my heart gloating
for the love of an uncrowned king.

It took ten days or so it felt for the fool to die and then
as our eyes promised
came the proposal I expected.

Modesty demanded a modest answer:
"I?" I asked: "I" ,the wife of David?"

I think I said
something like

I wasn't fit to wash his feet as I grabbed my
cloak. My shawl
caught a splinter at the door frame.

I looked back.

A farm's a son's—a kingdom
belongs to an heir
(he who draws the deepest breath)

A wife's the one who holds it best.

The day was close—I played the wind:
caught and held the folds of the fabric





and let it hang





5




DAVID


Go up in peace to thine own house; see, I have harkened to thy voice and I have accepted thy person.
                ;                            1 Samuel 25:35



Abram and Adam were my fathers
Before that dust
Before that nothing:
the deep: endless descent.


Light, a day
Night, we count,
recount the gain.


The slingshot, the sword:
     a giant's head on a pike—
          that got me the weal
     of men—spokes afire
spanning a still small voice


Steppe and rise, pitch and plain:
     land the people possess
—creases in the palm—
possess these people.


She came as I pressed up the path
armed with providence, the eyes providing.

She was loam, fertile,
set in the circle for ploughing.

In her master's house
a field unsown, untilled.


She knew it
and knew that I knew.


Ten days later she was mine.


I


          never


                ;          ask


                ;                     how





Stars hone themselves on the strop of a scent.



Kerchief floats

catching the tip of a crescent moon

I count:



Adam

dust

nothing



to the deep,

floating on the surface of a scent.





A new wife!
(my little joke) is
a new life.






                ;                          Day gains.
                ;                               N ight gains.
                ;                               & nbsp;    Dust I will soon enough.


                ;                               T oday, God willing,
                ;                               & nbsp;    the clay:
                ;                               & nbsp;        The palm, its finger,
                ;                               & nbsp;    the wheel, its spoke,
                ;                               B urning branch, root and trunk entwined.

              &nbs p;                ;     


                ;                And now to rest.
                ;           And dream


5












































The Intermittent Temple

"You have not only hit the Nail on the Head, thir,
"Nailed the Chritht to the Croth,
"Crothed the great Divide,
"Divided Day from Night

"You have plathed your very Finger Thomath
"Right inthide the very Chrithtwound
"And planted in itth Midtht the Theed
"From which the Tree, rithing,

"Thtill thwellth in the thame Moitht Earth
"From which Man himthelf wath Formed,
"Which Form ith the very Garden itthelf
"Of Paradithe: the Timeleth Prethent."



5












































THOU LITTLE SPARK,
Separate by glass

From larger compartments
Of combustible experience:

Take thou this candle in the dark
And open thy mind.


5









































The New Spartoí

May I eat this tender chop,
carved from the lamb by the butcher
who follows at only a step?

May I eat this ear of corn, these teeth
sown in the furrow that follows the plough—this
crop that springs point first
disturbing the crumbling ground?

Confused though we are by this crushing stone, which
must have been thrown by one of us
—hollow clanging armour gleaming—hot butter
smiles along the long rows,
salted. we meet. here. teeth to teeth.

            Finally,
            may I
            eat—May I
            breathe—this
            Dust—your
            philosophy?


5